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  • Rikbaktsa girl during the Indigenous National Party, Bertioga city, São Paulo state of Brazil.
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  • Kayapo child
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  • Kayapo women at Indigenous National Party.
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  • Kayapo woman preparing to paint their traditional tatoos with Genipapo ink.
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  • Terena ritual and dance of fire, celebrationg the Indigenous National Party.
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  • A Manoki (Irantxe) boy playing a traditional flute that is part of their initiation, when the boys are from 12 to 14 years old.
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  • Assurini woman
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  • Kayapo women dance before the Indigenous National opening.
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  • Brazil, Indigenous. Kayapo women celebrating at the ritual, before the Indigenous National Party.
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  • Bororo People dances the Jaguar dance at the Indigenous National Party.
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  • Assurini xama smoking in his ritual before the opening of the Indigenous Festival.
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  • Demonstration of the Huka-Huka, a wrestling match. Facing each other, the wrestlers imitate the grunting of the jaguar.
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  • Manoki (Irantxe) men and boy playing their traditional flutes.
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  • Terena People painting for the Indigenous National Party.
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  • Kayapo child at the Indigenous National Party.
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  • Kayapo woman
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  • Karaja girls
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  • Bororo warrior
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  • Kayapo warrior
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  • Assurini warrior
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  • Kayapo warrior
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  • Xerente People dancing during the Indigenous Festival.
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  • Ritual dance of Kayapo, Indigenous National Party.
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  • Kayapo woman.
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  • Assurini Shamans at the Indigenous National Party.
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  • Assurini xama smoking in his ritual before the opening of the Indigenous Festival.
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  • Bororo People during the Indigenous Festival.
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  • Young Terena man
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  • Kayapo tattoo made with Genipapo ink.
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  • Yawalapiti girl sleeps on mother's shoulder during the event.
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  • Xerente woman
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  • The fruit collecting activity is done predominantly by black and native women, often heads of families responsible for maintaining the home.
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  • In Sergipe State, one of the most beautiful regions of the Brazilian coast, 90 percent of the mangaba is found in areas of native forest, where the traditional populations gather the fruit as a means of survival.
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  • Party time, celebration dance and flutes at the House of Knowledge. Tools and connections to empower the community.<br />
Holding tight.
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  • Vendedora(s) de Mangaba na calçada externa do Mercado Municipal de Aracaju..© Tatiana Cardeal
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  • Maria Plácida de Jesus, 76 anos, (Dona Pracida) .considerada pelo povo a primeira vendedora da fruta no mercado público de Aracaju..© Tatiana Cardeal
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  • Maria Domingas da Anunciação, a Ninha, 52 anos, moradora do assentamento São Sebastião, no povoado de Alagamar, em sua casa..
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  • Yawalapiti People, from Xingu, dancing during the Indigenous National Festival.
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  • Yudjá People, also knowed as Juruna people, portray themselves as the prototype of humanity, as canoeists and beer makers. Part of the Yudjá's cosmological knowledge and ritual life rests on the crucial role of shamans; however, since the 1980s, they have had no more shamans. <br />
The Juruna man here worn a crucifix at the Indigenous National Festival.
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  • Yawalapiti men, before the opening of the Festival.<br />
<br />
"For the Yawalapiti, the mythic world is a past that is not connected to the present through strict chronological ties. Thus, myth exists as a spatial and temporal reference, but mainly provides behavioral models. The ceremonies are the occasion par excelence for replicating these models, but their privileged relation with the world of myth above all symbolizes the impossibility of repeating that world, except in an imperfect way. The ritual is thus a moment when daily life is closer to the ideal model presented in myth, without however being able to attain it." <br />
<br />
From ISA (Instituto Sócio Ambiental): Cosmologia e rituais<br />
by Eduardo Viveiros de Castro
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  • Bororo people cannot live in homologated land. Although to have its demarcated territory, the Bororo of the land Jarudori (Mato Grosso state) is obliged to live spread in other lands of its people, because its traditional area is invaded by squatters. Invasions, violence and epidemics - of tuberculosis and measles - had contributed for exit of many of the Bororo families who lived there.
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  • Embraced by his friend playing the flute, they dance together.<br />
It was the first time I've seen someone playing a Jabuti's (turtle) hull. <br />
The sound was a vibration produced by the friction of his warm hand, in a constant rhythm, giving me a sense of transe.<br />
Hypnotic and beautiful.<br />
<br />
The Indigenous Bará was playing the flute, and the Jabuti's musician is a Baniwa man.
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  • There are 22 familes living at Itacoatiara Mirim, a Baniwa Community around São Gabriel da Cachoeira town. To recover their traditions after leaving the original tribe, they built this "Maloca", also known as House of Knowledge. <br />
<br />
"House of Knowledge is an area of transmission and learning of the traditional culture for those who do not know or forgot. It's to talk, tell stories of past, reliving the custom to eat together. A place to dance, make instruments, showing the young our culture"; explained Mestre Luiz Laureano, community leader. "The House of Knowledge is also to receive relatives who come from the original tribe to share with us the stories of our family who were there. Is a school that will pass knowledge."<br />
<br />
São Gabriel da Cachoeira town, Amazonas, Brazil.
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  • Catadora(s) de mangaba, colhem em áreas ainda permitidas no povoado de Pontal..© Tatiana Cardeal
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  • Ivanice Martins dos Santos, 52.<br />
Each year these women pick 280 tons of mangaba and sustain an intense network of small businesses at fairs and markets.
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  • Catadoras de mangaba, colhem em areas ainda permitidas no povoado de Pontal, Indiaroba.<br />
Sergipe, Brasil.
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  • Catadoras caminham longos trechos, equipadas com baldes e varas com um gancho na ponta, para chegarem a áreas mais fartas ou não cercadas..© Tatiana Cardeal.
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  • Mangabas de vendedoras, expostas em baldes, em frente ao Mercado Municipal, para venda aos comerciantes..© Tatiana Cardeal
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  • Mangabas de vendedoras, expostas em baldes, em frente ao Mercado Municipal, para venda aos coemrciantes..© Tatiana Cardeal
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  • Entrada da propriedade de particular, cercada recentemente para impedir a colheita livre de mangaba..Ao fundo, a casa nova para os vigilantes da fazenda.
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  • Flôr da mangaba no pé..© Tatiana Cardeal.
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  • Mangaba no pé..© Tatiana Cardeal
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  • Grupo de mulheres sobe nas jangadas que cruzam o rio Real, divisor dos estados de Sergipe e Bahia..
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  • A Krahô mother at the Indigenous Festival. Krahô People is also called Mehim. They live at northeastern of the Tocantins state, <br />
and were about 2.000 people (in 1999) .<br />
Indigenous National Festival. Bertioga, Sao Paulo, Brazil.
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  • Maasai woman portrait, during the opening march of the VII World Social Forum, at the Uhuru's Park.<br />
Nairobi city, Kenya.
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  • A Bará Indigenous man living at São Gabriel da Cachoeira, uses the Baniwa Maloca (House of Knowledge) to express his own traditions and share with the community. With a peculiar humor, he was listed as 'dangerous indigenous man' by the Baniwa's leader because he exhibits a mustache (not usual for the indigenous in the area).<br />
Bará People are very rare, an estimative about their group in Brazil tells about only 39 people (by 2009). His original tribe is near the frontier with Colômbia, around Papuri river.
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  • Past and future, a piece of the painted structure in the House of Knowledge at Itacoatiara Mirim, and a boy from this Baniwa Comunity.<br />
São Gabriel da Cachoeira town, Amazonas, Brazil.
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  • Girl in the boat at Rio Negro (Black River), Amazonas State, Brazil.
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  • Catadoras do Povoado de Alagamar..
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  • "I raised all my children and grandchildren on the mangaba. I was born here. I had nine children and later raised nine more from my husband. What we know how to do is gather mangaba, pick cashew fruit and fish. I have done this for 46 years. We are the generation of mangaba here in Pontal.",  tells Maria Rivalda dos Santos, 66.
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  • Mangaba no pé..© Tatiana Cardeal
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  • Mangaba no pé..© Tatiana Cardeal
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  • Catadora(s) de mangaba, colhem em áreas ainda permitidas no povoado de Pontal..© Tatiana Cardeal
    catadoras_0084.JPG
  • catadoras_14.jpg
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