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  • Indigenous_5742.jpg
  • Party time, celebration dance and flutes at the House of Knowledge. Tools and connections to empower the community.<br />
Holding tight.
    Indigenous_5679.jpg
  • Embraced by his friend playing the flute, they dance together.<br />
It was the first time I've seen someone playing a Jabuti's (turtle) hull. <br />
The sound was a vibration produced by the friction of his warm hand, in a constant rhythm, giving me a sense of transe.<br />
Hypnotic and beautiful.<br />
<br />
The Indigenous Bará was playing the flute, and the Jabuti's musician is a Baniwa man.
    Indigenous_5661.jpg
  • Indigenous_5633.jpg
  • Indigenous_5584.jpg
  • There are 22 familes living at Itacoatiara Mirim, a Baniwa Community around São Gabriel da Cachoeira town. To recover their traditions after leaving the original tribe, they built this "Maloca", also known as House of Knowledge. <br />
<br />
"House of Knowledge is an area of transmission and learning of the traditional culture for those who do not know or forgot. It's to talk, tell stories of past, reliving the custom to eat together. A place to dance, make instruments, showing the young our culture"; explained Mestre Luiz Laureano, community leader. "The House of Knowledge is also to receive relatives who come from the original tribe to share with us the stories of our family who were there. Is a school that will pass knowledge."<br />
<br />
São Gabriel da Cachoeira town, Amazonas, Brazil.
    Indigenous_5538A.jpg
  • Indigenous_5776.jpg
  • Indigenous_5762.jpg
  • There are 22 familes living at Itacoatiara Mirim, a Baniwa Community around São Gabriel da Cachoeira town. To recover their traditions after leaving the original tribe, they built this &quot;Maloca&quot;, also known as House of Knowledge. <br />
<br />
&quot;House of Knowledge is an area of transmission and learning of the traditional culture for those who do not know or forgot. It's to talk, tell stories of past, reliving the custom to eat together. A place to dance, make instruments, showing the young our culture&quot; explained Mestre Luiz Laureano, community leader. &quot;The House of Knowledge is also to receive relatives who come from the original tribe to share with us the stories of our family who were there. Is a school that will pass knowledge. &quot;<br />
<br />
São Gabriel da Cachoeira town, Amazonas, Brazil.
    Indigenous_5697.jpg
  • Past and future, a piece of the painted structure in the House of Knowledge at Itacoatiara Mirim, and a boy from this Baniwa Comunity.<br />
São Gabriel da Cachoeira town, Amazonas, Brazil.
    Indigenous_5667.jpg
  • Indigenous_5663.jpg
  • 07_Indigenous_5936b.jpg
  • Indigenous_5646.jpg
  • 07_Indigenous_8337t.jpg
  • Rikbaktsa girl during the Indigenous National Party, Bertioga city, São Paulo state of Brazil.
    07_Indigenous_8483.jpg
  • A Bará Indigenous man living at São Gabriel da Cachoeira, uses the Baniwa Maloca (House of Knowledge) to express his own traditions and share with the community. With a peculiar humor, he was listed as 'dangerous indigenous man' by the Baniwa's leader because he exhibits a mustache (not usual for the indigenous in the area).<br />
Bará People are very rare, an estimative about their group in Brazil tells about only 39 people (by 2009). His original tribe is near the frontier with Colômbia, around Papuri river.
    Indigenous_5720.jpg
  • Rescuing their ancestor's traditions at the House of Knowledge, the indigenous people group living at Itacoatiara Mirim community, nearby São Gabriel da Cachoeira town, face the difficulties of transitions and the shock of the economic development impact in the extreme northeast of Amazonas state. They seek how to preserve identities, cultural values, while an avalanche of new economic needs are born every day.
    Indigenous_5539.jpg
  • 06_INP_9871.jpg
  • Kayapo child
    06_INP_IMG_9555.jpg
  • 06_INP_9860.jpg
  • Bororo People dances the Jaguar dance at the Indigenous National Party.
    06_INP_9837.jpg
  • A Manoki (Irantxe) boy playing a traditional flute that is part of their initiation, when the boys are from 12 to 14 years old.
    06_INP_9332.jpg
  • Brazil, Indigenous. Kayapo women celebrating at the ritual, before the Indigenous National Party.
    Brazil_indigenous_9429.jpg
  • Kayapo women at Indigenous National Party.
    06_INP_9697.jpg
  • Terena ritual and dance of fire, celebrationg the Indigenous National Party.
    06_INP_9651.jpg
  • Demonstration of the Huka-Huka, a wrestling match. Facing each other, the wrestlers imitate the grunting of the jaguar.
    06_INP_9605.jpg
  • Manoki (Irantxe) men and boy playing their traditional flutes.
    06_INP_9516.jpg
  • Terena People painting for the Indigenous National Party.
    06_INP_9378.jpg
  • Assurini woman
    06_INP_0123.jpg
  • 06_INP_0118.jpg
  • Kayapo women dance before the Indigenous National opening.
    06_INP_IMG_9488.jpg
  • Kayapo woman preparing to paint their traditional tatoos with Genipapo ink.
    06_INP_9705.jpg
  • Bororo warrior
    06_INP_9491.jpg
  • Assurini warrior
    06_INP_0126.jpg
  • Kayapo warrior
    06_INP_0046.jpg
  • Kayapo child at the Indigenous National Party.
    06_INP_IMG_9515.jpg
  • Xerente People dancing during the Indigenous Festival.
    06_INP_IMG_9494.jpg
  • Ritual dance of Kayapo, Indigenous National Party.
    06_INP_IMG_9438.jpg
  • Kayapo woman.
    06_INP_9711.jpg
  • Feliciano's veins, rivers of dreams and spirituality.<br />
<br />
Feliciano is a Desana curandero. <br />
A story teller, visual artist and healer.
    Indigenous_5869.jpg
  • Kayapo woman
    06_INP_9999.jpg
  • Assurini Shamans at the Indigenous National Party.
    06_INP_9782.jpg
  • Assurini xama smoking in his ritual before the opening of the Indigenous Festival.
    06_INP_9764.jpg
  • Assurini xama smoking in his ritual before the opening of the Indigenous Festival.
    06_INP_9761.jpg
  • 06_INP_9690.jpg
  • Karaja girls
    06_INP_9599.jpg
  • Bororo People during the Indigenous Festival.
    06_INP_9561.jpg
  • Xerente woman
    06_INP_9331.jpg
  • Young Terena man
    06_INP_0173.jpg
  • 06_INP_0094.jpg
  • Kayapo tattoo made with Genipapo ink.
    06_INP_IMG_9710.jpg
  • Yawalapiti girl sleeps on mother's shoulder during the event.
    06_INP_IMG_9575.jpg
  • Feliciano showed his visions and paintings,<br />
his heartfelt fields of reality, a magic world.<br />
Feliciano Lana is a Desana Indigenous, a story teller, a healer and a visual artist.
    Indigenous_5857.jpg
  • Kayapo warrior
    06_INP_9426.jpg
  • 06_INP_9363.jpg
  • Yawalapiti People, from Xingu, dancing during the Indigenous National Festival.
    07_Indigenous_5931.jpg
  • 07_Indigenous_8440.jpg
  • Yudjá People, also knowed as Juruna people, portray themselves as the prototype of humanity, as canoeists and beer makers. Part of the Yudjá's cosmological knowledge and ritual life rests on the crucial role of shamans; however, since the 1980s, they have had no more shamans. <br />
The Juruna man here worn a crucifix at the Indigenous National Festival.
    07_Indigenous_8632.jpg
  • Yawalapiti men, before the opening of the Festival.<br />
<br />
"For the Yawalapiti, the mythic world is a past that is not connected to the present through strict chronological ties. Thus, myth exists as a spatial and temporal reference, but mainly provides behavioral models. The ceremonies are the occasion par excelence for replicating these models, but their privileged relation with the world of myth above all symbolizes the impossibility of repeating that world, except in an imperfect way. The ritual is thus a moment when daily life is closer to the ideal model presented in myth, without however being able to attain it." <br />
<br />
From ISA (Instituto Sócio Ambiental): Cosmologia e rituais<br />
by Eduardo Viveiros de Castro
    07_Indigenous_8393.jpg
  • A Krahô mother at the Indigenous Festival. Krahô People is also called Mehim. They live at northeastern of the Tocantins state, <br />
and were about 2.000 people (in 1999) .<br />
Indigenous National Festival. Bertioga, Sao Paulo, Brazil.
    07_Indigenous_8406.jpg
  • Yawalapiti women, from Xingu, dancing during the Indigenous National Festival.
    07_Indigenous_8656.jpg
  • Paixão  is an ancient of the Xavante ethnic group, and was showing a traditional play they use to do with kids on the tribe, with a  story about their myths, where he was painted and moving as a jaguar. <br />
The jaguar gave the original fire to the Xavante People.<br />
Indigenous National Festival at Bertioga city, 2007.
    07_Indigenous_8467.jpg
  • Despite being the local host of this Indigenous Festival, the Guarani people are usually very shy, and just a few of them went to the Festival. Around Bertioga town there are communities in  Guarani's lands. They survive between the transition of being indigenous with access to all the city's culture and consume, but being poor and denied by the local community.<br />
But this time they were more than the last two years; a larger group reflecting being secure and proud by their tradition.
    07_Indigenous_8453.jpg
  • 07_Indigenous_8628.jpg
  • Kayapó women dancing during the Indigenous Festival.
    07_Indigenous_8170.jpg
  • 08_INP_MG_1106.jpg
  • 08_INP_MG_1109.jpg
  • Indigenous_5567.jpg
  • 08_INP_MG_1196t.jpg
  • Indigenous_5749t.jpg
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